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Shelly Manne: Jazz from the Pacific Northwest
by Stefano Merighi
I luoghi comuni sono vacui ma spesso azzeccano un frammento di sincerità. Dire che il jazz californiano anni '50 annacqua e depotenzia la forza afroamericana di questa musica è riduttivo, certo, ma indiscutibile almeno in certe sue declinazioni. ? il caso di queste registrazioni del quintetto di Shelly Manne, frutto del concerto al festival di Monterey del 1958, recuperate e pubblicate dalla Real to Real, in un doppio CD che contiene anche alcuni brani di otto anni dopo, ...
Continue ReadingTerry Gibbs Dream Band: Dream Band, Vol. 7: The Lost Tapes, 1959
by Angelo Leonardi
?Non credo che ci sia mai stata una band migliore di questa, compresa la mia?. Mel Lewis espresse queste parole per la mitica orchestra che il vibrafonista Terry Gibbs guidò in California tra il 1959 e il 1961 e fu chiamata “Dream Band" per l'entusiasmo che suscitò tra i fortunati che l'ascoltarono dal vivo. Giudizi così perentori non vanno mai presi alla lettera ma ascoltando queste inedite registrazioni non li giudicherete troppo esagerati. Stan Kenton espresse simili opinioni ...
Continue ReadingArt Pepper: Gettin' Together
by Richard J Salvucci
Roughly about a year before Art Pepper was sentenced to 3 to 20 years in San Quentin State Prison on heroin charges, he made this recording. Miles Davis' rhythm section was briefly available in Los Angeles. So Pepper had a chance to reprise his wonderful performance in Art Pepper Meets the Rhythm Section (Original Jazz Classics, 1957), albeit with different personnel and with the addition of Conte Candoli on trumpet. The recording was a kind of coda to the first ...
Continue ReadingTerry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959
by Jack Bowers
In 1959, vibraphonist Terry Gibbs and his recently formed big band set up shop at the Seville, a Los Angeles nightclub owned by Harry Schiller. Many of those early sessions were taped, at Gibbs' request, by famed recording engineer Wally Heider before being left on a shelf and forgotten. After two weeks at the Seville, Gibbs and the band moved to a second club, the Sundown. The band was successful, drew large crowds, and was soon recording, first for Norman ...
Continue ReadingTerry Gibbs: Dream Band, Vol. 7: The Lost Tapes, 1959
by Richard J Salvucci
Someone once asked Terry Gibbs how it was possible that if you took his side men, or some subset of them, and put them together in another band, they never quite sounded as good. Gibbs replied, modestly, that it was all in the arrangers. He got the best arrangers, like Bill Holman, Marty Paich and Med Flory. Others did not. And so the story went. It would have been tempting to ask if, perhaps, Gibbs had ...
Continue ReadingShelly Manne & His Men: Jazz From The Pacific Northwest
by Pierre Giroux
Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the band captivated the audience with intricate melodies and vibrant improvisations driven by Manne's virtuosic drumming. The band on LP1 from ...
Continue ReadingStan Kenton and His Orchestra: In a Lighter Vein
by Jack Bowers
Stan Kenton was a man of many moods, as was his intrepid and popular orchestra, which endured until his passing in August 1979 and whose renown is kept alive even today by the Stan Kenton Legacy Orchestra. Kenton dons his carefree hat on In a Lighter Vein, an assortment of straight-ahead themes from the orchestra's jazz library, preserved in five concert performances from 1953-55 beneath the umbrella of NBC radio's All Star Parade of Bands. Original compositions ...
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