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Altin Sencalar: Unleashed

by C. Andrew Hovan
Often overshadowed by other solo instruments, the trombone boasts a rich history in jazz--one so vast it could fill volumes. New Orleans, the birthplace of jazz, also gave rise to Kid Ory, a pioneer of the tailgate" style of trombone playing. In the early 1900s, bandleaders often promoted their shows by parading through town on horse-drawn wagons. Trombonists, needing space to extend their instrument's slide, would sit at the back on the open tailgate, projecting their bold, brassy sound into ...
Continue ReadingAltin Sencalar: Unleashed

by Altin Sencalar
Unleashed is an album that captures my overall headspace as an individual. This year I turned 30 years old and welcomed my firstborn child into the world, John Altin Sencalar. Two major milestones in any person's life, but especially mine this year. Unleashed represents my playing, my personality, and my overall attitude towards my career development. When thinking about this album, I take many chances that I would not have done in the past specifically playing the trombone in an ...
Continue ReadingAndrew Hill Sextet Plus 10: A Beautiful Day, Revisited

by Alberto Bazzurro
Registrato dal vivo al Birdland dal 24 al 26 gennaio 2002, il materiale di questo doppio CD (nonché doppio vinile) raggiunge oggi i quasi 83 minuti di durata, aggiungendo, rispetto all'edizione originaria uscita pochi mesi dopo il concerto, un'alternate take inedita del brano che intitola l'album e una versione ampliata di 11/8," riposizionando nel contempo i nove brani complessivi in quanto a ordine di apparizione." Ne vien fuori un'opera che possiamo tranquillamente definire monumentale, anche proprio per la ...
Continue ReadingAndrew Hill Sextet Plus Ten: A Beautiful Day, Revisited

by Dan McClenaghan
The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; to Passing Ships (1969), with an exuberant multi-horn group that included trumpeter Woody Shaw, trombonist Julian Priester and flutist Joe Farrell. For those with ...
Continue ReadingMargherita Fava: Tatatu

by Neri Pollastri
Ventottenne veneta di formazione classica, la pianista Margherita Fava è stata fulminata dal jazz nel 2013, quasi per caso, e da allora ha coltivato la sua formazione in quella direzione, trasferendosi negli U.S.A. prima con una borsa di studio, poi stabilmente, insegnando. Ed è negli Stati Uniti, nell'Ohio, che ha registrato questo suo primo disco, prodotto dal bassista Rodney Whitaker, poi missato a New York ed edito in Italia da Caligola. I tre quarti d'ora di musica di ...
Continue ReadingMargherita Fava: Tatatu

by Hrayr Attarian
Italian pianist Margherita Fava comes across as a mature composer and a sensitive performer on her captivating debut Tatatu. Based in Knoxville Tennessee, USA, Fava is a consummate musician and educator whose unique set of talents is on full display here as she leads a quartet on two covers and six of her poetic originals. For instance, her Tidal Waves" has a mystical atmosphere. Over the rhythm trio's percolating refrains saxophonist Greg Tardy lets loose a lyrical melody ...
Continue ReadingGreg Tardy, Sammy Nestico & Elvin Jones

by Joe Dimino
From modern day saxophonist Greg Tardy, we swing into the 685th Episode of Neon Jazz. This show features a host of songs from artists who released music during 2020. We also talked to quite a few musicians during that pandemic year for their wisdom and insights into survival during an era of no live music. They include David Sills, Sara Caswell and Michelle Lordi. Finally, we say farewell to prolific composer Sammy Nestico. Playlist Greg Tardy I Swing ...
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