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Noah Haidu: Standards III
by Jack Bowers
Standards III, the ninth album by New York-based pianist Noah Haidu, is essentially a trio date with a guest appearance on one number ("Slipstream") by alto saxophonist Steve Wilson. As was true on Standards (Sunnyside, 2021) and Standards II (Sunnyside, 2024), the inclusion of several unfamiliar themes (including some by Haidu) stretches the meaning of “standard" well beyond what most listeners would consider acceptable. To be fair, there are a liberal number of standards on all three ...
Continue ReadingNoah Haidu: Standards III
by Pierre Giroux
Noah Haidu's Standards III is a study in jazz fluency--an exploration of melody, form, and interplay that reanimates familiar repertoire with both reverence and daring. Following the strong creative thread laid in the first two installments of the standards theme (Standards, 2023 and Standards II, 2024; both on Sunnyside), Haidu again enlists legendary bassist Buster Williams and veteran drummer Billy Hart, whose intuitive communication with the pianist borders on telepathic. Joining this outing is a younger trio, featuring bassist Gervis ...
Continue ReadingRyan Truesdell: Shades of Sound
by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound
by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound
by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingSusan Hinkson: Just in Time
by Katchie Cartwright
In 2025, radio programmers are apt to carp about singers who continue to cover the Great American Songbook. There are new songs and songwriters to explore, they say, and it is true. But for lovers of mainstream jazz, the mellow sound of a sensitive balladeer like Susan Hinkson singing a gem like Harold Arlen and Johnny Mercer's “One for My Baby" still satisfies. On a late and rainy Saturday night, many a jazz fan would be delighted to ...
Continue ReadingRex Richardson: Elegy
by Ken Hohman
Grief is often complex and multi-faceted. How we cope with it reflects as much about those we have lost as it does about ourselves. This is a reality that trumpet master Rex Richardson knows all too well, having lost his father in 2023. Elegy is Richardson's poignant tribute to his father, yet the eight songs offer a variety of personal tributes that explore the complexity of living through bereavement in unexpected ways with moods both somber and bright. ...
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