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Daniel Kelly, Gary Peacock & Marc Copland, Allison Miller: Solo, Duo, Trio
By Daniel Kelly
Portal
Self Released
2009
Daniel Kelly
piano
Joel Harrison
guitar, electricb.1957
The 17 spontaneously created pieces on Portal make up an examination of the thought processnot only of Kelly's thought process, but the thought processes of his protagonists as they are presented with various dilemmas and crises. "Initiate" shows that no decision, however "simple," is in any way simple, while "Descending The Spirals" begins as an enthusiastic rush down a staircase, but slows precipitously when all the possibilities are considered about what might be waiting at the bottom of the stairs. The same battle between the need for truth and fear of the truth is joined again on "Removing The Veil Of Illusion." Meanwhile, pure, unadulterated terror fuels the protagonist's flight in "The Huge Stones Come Alive."
There is an operatic atmosphere to Kelly's compositions, and that opera isn't Pirates of Penzance. The colors are dark and roiling for most of Portal, with shadowy figures lurking (either physically or psychologically) around every corner. It's only when the truth is exposed in "The Ordinary Dissolves Into The Light" that the shadows begin to lose their power. The coda, "Phoenix," shows that redemption and rebirth are possible, but it's a long slow process that only the dedicated survive.
Given that Kelly's musical pictures were painted completely off the cuff, the depth of detail on Portal is astounding. "Frozen Museum" evokes white light, high ceilings and glass sculptures, and it's all devoid of warmthin short, devoid of life. "Wisp" conjures up a "will-o-the-wisp," a floating ball of light seen at night that seems to retreat when approached. These are only two of the hundreds of vivid images that sprouted from Kelly's piano in one two-hour recording session in 2006, and now everyone can experience them. It took three years to make it happen, but powerful things come to those who wait.
Visit Daniel Kelly on the web.
Gary Peacock & Marc Copland
Insight
Pirouet
2009
While the bass can be deferential to the piano in a trio configuration, a duo format demands the two instruments operate on an equal footing; otherwise, all that's left is a solo piano date with an independent foundation. And that kind of defeats the purpose. Fortunately, bassist Gary Peacock
bass, acoustic
1935 - 2020Marc Copland
piano
b.1948
Telescoping trumpeter Miles Davis
trumpet
1926 - 1991Bill Evans
piano
1929 - 1980
Another Davis tune, "Blue in Green," offers a light moment after the unsettled sequence of the Peacock/Copland original "The Wanderer"; they give "Cavatina" the underlying sadness this warm waltz requires; and "In Your Own Sweet Way" let the players have some fun with one of pianist Dave Brubeck
piano
1920 - 2012
Listening to Peacock and Copland work with (and off) each other is reminiscent of the moment in Apollo 13 where Tom Hanks says his crew know each others' moves, and can read the tone in each others' voices. "Goes Out, Comes In" seems like one of those "Let's roll tape and see what happens" moments that came out the way they wanted. That said, every piece on Insightoriginal or standardsounds like it started in a rehearsal hall with that hallowed musical question, "What'll we do now?" There is action and reaction, dialogue that is lively but respectful, and every piece seems like just another movement in a rich, organic, multi-chapter symphony that just keeps unfolding and expanding.
Visit Marc Copland on the web.
Allison Miller
Boom Tic Boom
Foxhaven Records
2010
In any career, it's always good to have a varied résumé. In the case of drummer Allison Miller
drumsDr. Lonnie Smith
organ, Hammond B3
1942 - 2021
Part of this disc's exciting square-peggishness comes from having Myra Melford
piano
b.1957Todd Sickafoose
bass, acoustic
After an in-the-clear solo that announces Miller's presence with authority, the trio slides into the driving vibe of the opener "Cheyenne." Miller's composition has a dark undertone that springs from Melford's dramatic chord changes and Sickafoose's robust foundation. Melford keeps her solo simple while maintaining a teeth-grinding intensity. Sickafoose inserts a pleading figure into the piece while Miller launches a second solo that's a lot like French cinema; startling ideas fly in fast from out of the blue, make their impact, and then recede quickly into the distance.
Miller shares Paul Motian
drums
1931 - 2011Mary Lou Williams
piano
1910 - 1981Hoagy Carmichael
piano
1899 - 1981Jenny Scheinman
violin
b.1979
Devotees of traditional trio recordings should handle Boom Tic Boom with insulated gloves, as this disc's heat singes the status quo. Allison Miller stretches the piano trio concept in innovative directions, just stopping short of ripping the sub-genre to shreds. Well, there's always a next timewith any luck, anyway.
Visit Allison Miller on the web.
Tracks and Personnel
Portal
Tracks: Initiate; Wrestling the Tiger; Descending the Spirals; Continuing On...; The Huge Stones Come Alive; On the Cliff Path; Wisp; Burning Heart Inside; Turbulence; Zephyr; Removing the Veil of Illusion; The Ordinary Dissolve into The Light; Magic Circle Dance; Frozen Museum; Pouring the Elements; Phoenix.
Personnel: Daniel Kelly: piano.
Insight
Tracks: All Blues; The Wanderer; Blue in Green; Rush Hour; River's Run; Matterhorn; The Pond; Goes Out Comes In; Late Night; Cavatina; In Your Own Sweet Way; Benediction; Sweet and Lovely.
Personnel: Gary Peacock: bass; Marc Copland: drums.
Boom Tic Boom
Tracks: Cheyenne; Fead; Intermission; Rockin' Chair; Be Melting Snow; CFS (Candy Flavored Sidewalks); Big Lovely; Night.
Personnel: Allison Miller: drums; Myra Melford: piano; Todd Sickafoose: bass; Jenny Scheinmann: violin (6).
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