Home » Jazz Articles » Album Review » Anat Cohen Tentet: Happy Song

Anat Cohen Tentet: Happy Song

By Geno Thackara
October 5, 2017
View read count

In his fascinating autobiography,

Miles Davis

trumpet
1926 - 1991

" data-original-title="" title="">Miles Davis once said that

" data-original-title="" title="">Gil Evans would call him on the phone now and then just to share a quick thought—you know, the kind of thing some people used to do before these random impulses were relegated to texts or Tweets. His classic example was a 3AM call where his longtime friend and collaborator rang to say "If you're ever depressed, Miles, just listen to 'Springsville,'" and just as abruptly hung up.

Anat Cohen

clarinet
b.1975

" data-original-title="" title="">Anat Cohen deserves such a story as well—not just because everyone should have such a friend in their life, but because her titular "Happy Song" is just the same kind of ray of sunshine that's worth waking someone up to share. The piece is adeptly expanded from its initial trio rendition on Luminosa (Anzic, 2015), beautifully encapsulating the spirit of this new ensemble and providing a perfect introduction to their wildly colorful debut. Not content to rest too long after a previous pair of enchanting Brazilian-themed recordings, the poly-faceted clarinetist follows up here in delightful fashion with a bigger musical palette and expanded group to match.

Cohen's catalogue has always encompassed music all around the world, and the Tentet (well, the term just sounds more fun and informal than "dectet") is a crack team of fellow New York City players who share the same love of all-encompassing groove and swing. Alongside the ever-present South American element, Happy Song visits the golden age of Hollywood with a big-band

Bix Beiderbecke

cornet
1903 - 1931

" data-original-title="" title="">Bix Beiderbecke romp, crosses over to west Africa with the infectious rhythmic trance of "Kenedougou Foly," and shows the leader's native roots by using a klezmer piece as the loose basis for its dramatic extended centerpiece. Her fleet clarinet twines with some fuzzy guitar in the slow-burner of "Trills and Thrills," a wailing jam contributed by musical director Oded Lev-Ari. He isn't counted as one of the ten, but he's as vital in shaping the album's form as anyone else; the arrangements are wonderfully adroit in using all the players without ever feeling crowded.

Even with a couple thoughtful lulls in "Trills" and

Gordon Jenkins

" data-original-title="" title="">Gordon Jenkins' "Goodbye," Happy Song bounces and swings with all the warmth its title promises. It shows Anat Cohen's wide-ranging mind and instrumental prowess as expansive as ever, and it's a vibrantly joyous affair indeed.

Learn more about our star rating system

Track Listing

Happy Song; Valsa para Alice; Oh, Baby; Anat's Doina (A Mays�� / Der Gasn Nigun / Foile-Shtick); Loro; Trills and Thrills; Goodbye; Kenedougou Foly.

Personnel

Anat Cohen

clarinet

Anat Cohen: clarinet; Oded Lev-Ari: musical direction; Rubin Kodheli: cello; Nadje Noordhuis: trumpet, flugelhorn; Nick Finzer: trombone; Owen Broder: baritone sax, bass clarinet; James Shipp: vibraphone, percussion; Vitor Gon?alves: piano, accordion; Sheryl Bailey: guitar; Tal Mashiach: bass; Anthony Pinciotti: drums.

Album information

Title: Happy Song | Year Released: 2017 | Record Label: Anzic Records

PREVIOUS / NEXT

Pharoah Sanders at SFJAZZ
< Previous

Don't Blink
Next >

Anat Cohen Concerts

Oct 4 Sat

Anat Cohen Quartetinho

Miller Theatre at Columbia University
New York, NY

Dec 13 Sat

Anat Cohen Tentet

Mondavi Center for the Performing Arts
Davis, CA

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.