Home » Jazz Articles » Multiple Reviews » hatOLOGY Reissue Bonanza Continues

hatOLOGY Reissue Bonanza Continues

By Mark Corroto
June 17, 2010
View read count

Begun in 1975, Hat Hut Records was to become the model for adventurous, independent, new music labels such as Okka Disk, AUM Fidelity and Clean Feed. From the start, founder Werner X. Uehlinger sought out challenging and innovative musicians and music that might have been too risky for major labels to produce. This very small Swiss label sustained musicians such as reed players

Joe McPhee

woodwinds
b.1939

" data-original-title="" title="">Joe McPhee and

Anthony Braxton

woodwinds
b.1945

" data-original-title="" title="">Anthony Braxton and pianists

Matthew Shipp

piano
b.1960

" data-original-title="" title="">Matthew Shipp,

Misha Mengelberg

piano
1935 - 2017

" data-original-title="" title="">Misha Mengelberg and

Horace Tapscott

piano
1934 - 1999

" data-original-title="" title="">Horace Tapscott. In 2010, Uehlinger's imprints include HatHut, hatMUSICS, hatART, hatOLOGY, hat(now)ART for contemporary composition, and hatNOIR for non-categorizable sounds.

For 35 years, adventurous music listeners have sought out the unique sleeves and the exotic sounds they contain. The label presented keyboard player and space traveller

Sun Ra

piano
1914 - 1993

" data-original-title="" title="">Sun Ra, pianist

Cecil Taylor

piano
1929 - 2018

" data-original-title="" title="">Cecil Taylor and saxophonist

Steve Lacy

saxophone, soprano
1934 - 2004

" data-original-title="" title="">Steve Lacy as the jazz legends they would eventually be recognized as today. And it also introduced major stars in the making such as reed players

John Zorn

saxophone, alto
b.1953

" data-original-title="" title="">John Zorn and

Ellery Eskelin

saxophone, tenor
b.1959

" data-original-title="" title="">Ellery Eskelin and trumpeter

Dave Douglas

trumpet
b.1963

" data-original-title="" title="">Dave Douglas. Each new release was a portal to a new world.

With hatOLOGY's recent reissue series, the label is re-releasing many long out-of-print editions, remastered in 24-bit sound and presented with new liner notes. Each disc is an aide m��moire to great innovators of the recent past (or an excellent introduction to new listeners).

John Zorn/ George Lewis/ Bill Frisell
More News For Lulu
Hat Hut Records
2010

When the neo-cons were contriving the re-invention of jazz in the 1980s they learned how to reproduce the sound and look of bebop pioneered some 30 years earlier. Record buyers and jazz listeners could hear "Salt Peanuts" played almost exactly like trumpeter

Dizzy Gillespie

trumpet
1917 - 1993

" data-original-title="" title="">Dizzy Gillespie once sounded, played by a 20-something musician who might not have known that Gillespie was still alive! It can be argued that this mimicry nearly destroyed jazz, except there were innovative artists keeping the flame alive. Today, we know of three such musicians: John Zorn, trombonist

George Lewis

trombone
b.1952

" data-original-title="" title="">George Lewis and guitarist

Bill Frisell

guitar, electric
b.1951

" data-original-title="" title="">Bill Frisell.

Back in the late 1980s they too were playing bebop, but the News For Lulu band—a piano-less, bass-less and drummer-less trio—could never be mistaken for a neo-con youngster project. Zorn, founder member of the New York Downtown scene and a restless musician with a preference for duck-calls and hardcore sound, took the music of the pianist

Sonny Clark

piano
1931 - 1963

" data-original-title="" title="">Sonny Clark, saxophonist

Hank Mobley

saxophone, tenor
1930 - 1986

" data-original-title="" title="">Hank Mobley, trumpeter

Kenny Dorham

trumpet
1924 - 1972

" data-original-title="" title="">Kenny Dorham and pianist

Freddie Redd

piano
1928 - 2021

" data-original-title="" title="">Freddie Redd and revived it with the help of longtime AACM player Lewis and soon-to-be guitar god Frisell. The band produced the first volume of mostly studio music News For Lulu (1988), which was also reissued, then this album of 1989 live dates in Paris and Basel.

The trio adds one track by organist

Big John Patton

organ, Hammond B3
1935 - 2002

" data-original-title="" title="">Big John Patton and one by Misha Mengelberg to the hard bop standards. These sessions are crisp renditions with more than a suggestion of the future of Zorn's music. Heard are the pops, trills and squawks that will become his signature sound. Here they are made in service to compositions by others. Frisell, a perfect accompanist, seems content to allow Zorn and Lewis to soar. The faithful renditions of these sometimes little known hard bop tunes are engaging and ultimately captivating. They sound as fresh today as they did more than 20 years ago.

class="f-left" > Loren Connors & Jim O'Rourke
Are You Going To Stop...In Bern?
Hat Hut Records
2010

This meeting of two innovative and eclectic outsider guitarists has long been an out-of-print treasure. Returned to the market, this duo set demands consideration of listeners and fans of both musicians.

Separated by a generation, Loren Mazzacane Connors (b. 1949) and Jim O'Rourke (b. 1969) show signs of being one mind on this thoroughly improvised live concert in Bern, Switzerland in 1997. The gentle manner of the music belied the intensities of the creators, putting forward a sound not unlike waves tenderly lapping at the shore.

O'Rourke is probably best known as a rock musician and the producer of Sonic Youth and Wilco. But he has also carved out a career with musicians such as reed player

Mats Gustafsson

woodwinds
b.1964

" data-original-title="" title="">Mats Gustafsson, Faust and trumpeter/cornetist

Rob Mazurek

trumpet
b.1965

" data-original-title="" title="">Rob Mazurek. Here he tailors his guitar playing to open spaces and to his partner's minimal guitar style. Neither player is of the mind to push the pace or divert from this Western Americana feel. The results are magnetic and mesmerizing.

Marc Copland Trio
Haunted Heart
Hat Hut Records
2010

In a perfect world, all piano trios would sound like the one on this ballad session. Marc Copland, the saxophonist turned pianist, accomplishes a nearly perfect recording along with bassist

Drew Gress

bass
b.1959

" data-original-title="" title="">Drew Gress and drummer Jochen Rueckert. Recorded in New York in 2001, this is the third edition of this particular recording. If the market has any say in it, either the label should cut more discs or plan on several more editions.

The album is readily reminiscent of saxophonist

John Coltrane

saxophone
1926 - 1967

" data-original-title="" title="">John Coltrane's Ballads (Impulse!, 1962) or perhaps the John Coltrane And Johnny Hartman (Impulse!, 1963) sessions. Here not only are the themes luscious but the music is either taken from Coltrane, "Crescent," written for him, "Soul Eyes," or associated with him, "My Favorite Things" and "Greensleeves."

Copland dresses this recording with three solo versions of Rogers and Hammerstein's "My Favorite Things," opting not to extend the music out in Coltrane style, but to turn it inward, expressing it in a bitter sweet deceleration of playing. Likewise the trio's take on "Crescent," with a sly swing that skirts the obvious Coltrane references. This is music re-imagined as a beautiful dream. The title track, favored by so many jazz performers, capitalizes on this tight trio. Each player is reactive to and attuned to the others' playing, and all three negotiate a difficult composition with relative simplicity and accessibility. It is a triumph of a recording.

Tracks and Personnel

More News For Lulu

Tracks: Blue Minor I; Hank's Other Tune; News For Lulu; Gare Guillemins; Minor Swing; KD's Motion/Windmill; Funk In A Deep Freeze; Eastern Incident; Lotus Blossom; Melanie; Ol��; Blue Minor II; Peckin' Time; Blues, Blues, Blues; Melody For C.

Personnel: John Zorn: alto saxophone; George Lewis: trombone; Bill Frisell: guitar.

Are You Going To Stop...In Bern?

Tracks: Now Who Are These Guys?; Still Going...; Are The going To Stop?; You Can Stay If You Want, But I'm Going Home.

Personnel: Loren Connors: guitar; Jim O'Rourke: guitar.

Haunted Heart

Tracks: My Favorite Things 1; Crescent; Dark Territory; Greensleeves; When We Dance; My Favorite Things 2; Soul Eyes; It Ain't Necessarily So; Easy To Love; Haunted Heart; My Favorite Things 3.

Personnel: Marc Copland: piano; Drew Gress: bass; Jochen Rueckert: drums.

PREVIOUS / NEXT

Sinatra/Jobim: The Complete Reprise ...
< Previous

Crime Scene
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.