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Jazz From Around The World: Latin America and the Caribbean

One of the first permutations of Latin Jazz took place in Cuba. Indigenous rhythms merged with improvisation and a Spanish lilt and created what became known as Afro-Cuban music. In the late 1940s trumpeter

Dizzy Gillespie
trumpet1917 - 1993

Mario Bauza
trumpet1911 - 1993

Machito
vocals1909 - 1984

Chano Pozo
congas1915 - 1948
Another prominent Cuban jazz musician was composer and conductor

Chico O'Farrill
composer / conductor1921 - 2001
Other island nations of the Caribbean also embraced jazz as a natural extension of their own folk rhythms. Two prominent Trinidadian musicians, percussionist Rupert Clemendore and bassist John Buddy Williams, fused elegant improvisations with Calypso and Venezuelan joropo motifs. The resulting album is Jazz Primitif from Trinidad. Far from being primitive it is an engaging work full of variety that maintains interest while simultaneously being anchored by the central theme of an island groove.
Of all the many Caribbean expat jazz men in UK, a roster that includes trumpeters

Dizzy Reece
trumpetb.1931

Harry Beckett
flugelhorn1935 - 2010

Joe Harriott
saxophone1928 - 1973

Wilton 'Bogey' Gaynair
saxophone, tenor1927 - 1995

Shake Keane
trumpet1927 - 1997
Brazilian music and jazz made for a winning combination as the popularity of such songs as "The Girl from Ipanema" made evident. The tune's composer, guitarist and pianist

Antonio Carlos Jobim
piano1927 - 1994

Luiz Bonfa
guitar, acoustic1922 - 2001
An early proponent of the fusion of Brazilian folk dances, particularly Samba, was tenor saxophonist JT Meirelles. His most representative work is the simply titled Samba Jazz!! and is considered the first recording of the subgenre. Not all Brazilian jazz musicians embraced dance rhythms and effervescent beats to make accessible music. Alto saxophonist Vitor Assis Brasil, a child prodigy, became the most critically celebrated Brazilian jazz musician outside of his home country. His 1967 Trajeto is representative of his pioneering work in Brazilian jazz.
The popularity of Bossa Nova migrated north to Mexico as well as the United States. Pianist Juan Jose Calatayud put a uniquely Mexican twist on it. He also interpreted Mexican folk songs with a definite, jazzy flair. His 1969 collaboration with vocalist Silvia, Nova Jazz is the best representation of his singular work.
Jazz in Argentina got its jump start in the mid 1960s partially stemming out of bandoneon player and composer

Astor Piazzolla
bandoneon1921 - 1992

Gato Barbieri
saxophone1934 - 2016


Chano Pozo
congas1915 - 1948
El Tambor De Cuba
(Tumbao)


Chico O'Farrill
composer / conductor1921 - 2001
Cuban Blues
(Verve)

Le Jazz Primitif from Trinidad
(Cook)


Shake Keane
trumpet1927 - 1997
Reggae into Jazz
(LKJ)


Antonio Carlos Jobim
piano1927 - 1994

Luiz Bonfa
guitar, acoustic1922 - 2001
Black Orpheus
Verve

Samba Jazz!!!
(Dubas Brasil)

Trajeto
(Whatmusic)

Nova Jazz
(VAM)

En Vivo
(Whatmusic)


Gato Barbieri
saxophone1934 - 2016
Latino America
(Impulse)
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