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Keeping Up With The Joneses: The Jones Name In Jazz
This question, written by Shakespeare and spoken from the mouth of his Juliet, really touches on an important line of thought. Juliet continued and said, "That which we call a rose by any other name would smell as sweet." While she was dealing with the Montague/Capulet issue, she sought to downplay the importance of names and highlight the fact that they don't change the inherent beauty of a person.
While nobody can really argue the merits of this statement and, connecting this to music, it's easy to agree that what musicians play is more important than what we might call it, names do tend to matter and often carry weight. When perusing racks of CDs and records in stores, people are forced to look at the names or genre descriptors that have been thrust upon the music listening public in order to find the music they seek. Then we get to the names on the albums. If it's rock music, or some subsidiary of this umbrella genre, scant information is present on the outside packaging. The name of the group, some fancy artwork or pictures and a song list is par for the course. Classical music usually fares slightly better and lists the names of soloists, conductors and, occasionally, some other high profile musicians. It seems that jazz albums, very often, are the only place where you can find out the names of everybody who is playing by simply looking at the back cover.
Oftentimes, jazz fans look at these back covers to see if some of our favorite musicians are on the album. Sometimes unique groupings of musicians are sought out and other times people want to see familiar nameslike scanning a

Keith Jarrett
pianob.1945

Gary Peacock
bass, acoustic1935 - 2020

Jack DeJohnette
drumsb.1942

Wynton Kelly
piano1931 - 1971

Billy Higgins
drums1936 - 2001

Dizzy Gillespie
trumpet1917 - 1993

Charlie Parker
saxophone, alto1920 - 1955

Miles Davis
trumpet1926 - 1991
Still, other repeated name occurrences go beyond one mere individualregardless of how prolific they might beand are based partly on genetic wellsprings of musical ability and hard work... or sheer name coincidences that seem to pop up in jazz. The Dorsey brothers during the swing era, the Montgomery Brothers and the Heath brothers in the following generation, and the Cohen siblings who loom large on the modern jazz scene today are all prime examples of literal jazz families. On the coincidence front, we have some interesting name twins. Pianist

Bill Evans
piano1929 - 1980

Bill Evans - Saxophone
saxophoneb.1958

Avishai Cohen
bassb.1970

Avishai Cohen - Trumpet
trumpetb.1978
"Keeping up with the Joneses" is a phrase that is often used to describe suburbanites who attempt to keep up with the affluent lifestyles of their neighbors in some way, shape or form. "Keeping up with the Joneses" in jazz is an altogether different and, in some ways, more difficult process. A simple search of this website's Musician Center results in over 100 musicians listed with the last name Joneswith most being unrelated to one anotherand I would imagine that a few more have fallen through the cracks along the way. It seems that the name Jones has been associated with nearly every instrument, style and era of jazz. Looking back to the early years of

Count Basie
piano1904 - 1984

Jo Jones
drums1911 - 1985

Philly Joe Jones
drums1923 - 1985

Sam Jones
bass, acoustic1924 - 1981

Cannonball Adderley
saxophone1928 - 1975

Oscar Peterson
piano1925 - 2007

Norah Jones
pianob.1979

Jonah Jones
trumpet1909 - 2000
Old
While a long list of unrelated Jones-folk are part of jazz history, three siblings bearing that name have altered the way people think about jazz.
Hank Jones
piano1918 - 2010

Thad Jones
trumpet1923 - 1986

Elvin Jones
drums1927 - 2004

Sonny Rollins
saxophoneb.1930

John Coltrane
saxophone1926 - 1967
Trumpeter Thad Jonesthe middle sibling of these threespent time in small and large group settings, but it's his big band work that garnered him his greatest acclaim. He was one of the key ingredients in Count Basie's "New Testament" Band in the mid-'50s and he went on to form the Thad Jones/

Mel Lewis
drums1929 - 1990
Hank Jonesthe eldest of the three brothershas had a career that covers more ground than virtually any other figure in jazz. Jones found work in territory bands in his early years, played with saxophone giants like

Coleman Hawkins
saxophone, tenor1904 - 1969

Charlie Parker
saxophone, alto1920 - 1955

Lester Young
saxophone1909 - 1959

Ella Fitzgerald
vocals1917 - 1996

Benny Goodman
clarinet1909 - 1986

Artie Shaw
clarinet1910 - 2004

Joe Lovano
drumsb.1952

Roberta Gambarini
vocalsb.1972
While each of these brothers went in different directions in jazz, they did occasionally cross paths. Two examples of this would be the presence of all three brother on Elvin Jones' Elvin! (Riverside, 1962), or the pairing of Elvin and Hank on some of the later Great Jazz Trio recordings. While these situations provided a recorded family reunion of sorts,
Leonard Feather
b.1914
Eddie Jones
bass, acousticb.1929
The song selection allowed for another opportunity to add a Jones in a different way and, in addition to the four of Thad's compositions, three compositions from
Isham Jones
b.1894New
While many of the figures discussed above came up in earlier eras of jazz, the Jones name is still alive and well. Trumpeter
Sean Jones
trumpetb.1978
The Search Within (Mack Avenue, 2009), is a great example of Sean Jones' ability to cover a large expanse of stylistic ground while retaining a signature sound. Jones demonstrates his more touching playing on pieces like "The Ambitious Violet" and he shows a more determined and driving direction on "Transitions." Drummer

Obed Calvaire
drums
Frank Foster
saxophone1928 - 2011
Borrowed
When trying to come up with a Jones that started in jazz and ended upborrowed in a wayin every other corner of the music world, you are left with only one person, and that is
Quincy Jones
arranger1933 - 2024

Horace Silver
piano1928 - 2014
Quincy Jones was born in Chicago and his family relocated to Seattle when he was still in his youth. Jones developed into a fine trumpet player and joined

Lionel Hampton
vibraphone1908 - 2002

Clifford Brown
trumpetb.1930

Dizzy Gillespie
trumpet1917 - 1993

Sarah Vaughan
vocals1924 - 1990

Dinah Washington
vocals1924 - 1963
Throughout his life, Jones has been a trailblazer in many different areas and his move into this role lead the way for other African-Americans to take on similar roles with other labels. While Quincy Jones continued to work in some jazz settings, including arranging for some of the famed Count Basie and

Frank Sinatra
vocals1915 - 1998

Michael Jackson
vocals1958 - 2009
Blue
While the word "Jones" probably pops up more than any other in this column, some people might have noted repeated mention of Count Basie's name. The great pianist was connected to many of the figures listed above and, long before he knew most of them, he had a different "Jones" connection through Bennie Moten. While Basie needs little introduction for big band buffs today, there was a time when he wasn't so well known and the nucleus of his first great-band-to-be came from pianist Bennie Moten's group. While Moten was a pianist himself, he liked what he heard when he encountered Basie and he ended up bringing him into his band. Moten, sadly, died in 1935barely into his 40sbut he helped play an important role in bringing together a group of musicians that would, ultimately, play a major role in the history of jazz and big bands.One of the songs that Moten's band recorded was "The Jones Law Blues." When listening to this track, one might notice that the soloists find the right blend between jazzy joy and bluesy sorrow and the simple riffs create a sense of drama melded with elegance that, while not usually associated with Basie's bands, does figure into some of Ellington's early, small group work of the late 30s. Leroy Berry's banjo, whether locking in the tempo and providing rhythmic emphasis or briefly soloing, is a key element of this song and the other soloists seem to be having a ball. From the dawn of the big bands through modern day music, the Jones name clearly knows no bounds. Please feel free to comment on this article with your own favorite Jones-related musician, song, story or connection.
Tags
Old, New, Borrowed and Blue
Dan Bilawsky
United States
Keith Jarrett
Gary Peacock
Jack DeJohnette
Wynton Kelly
Billy Higgins
Dizzy Gillespie
Charlie Parker
Miles Davis
Bill Evans
a bassist
the other
Count Basie
Jo Jones
Philly Joe Jones
Sam Jones
Cannonball Adderley
oscar peterson
Norah Jones
Jonah Jones
Hank Jones
Thad Jones
Elvin Jones
Sonny Rollins
John Coltrane
Mel Lewis
Coleman Hawkins
Lester Young
Ella Fitzgerald
Benny Goodman
Artie Shaw
joe lovano
Roberta Gambarini
Leonard Feather
Eddie Jones
Isham Jones
Sean Jones
Obed Calvaire
Frank Foster
Quincy Jones
Horace Silver
Lionel Hampton
Clifford Brown
Sarah Vaughan
Dinah Washington
frank sinatra
Michael Jackson
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