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Los Lobos: Kiko - 20th Anniversary Edition
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Los Lobos
band / ensemble / orchestraIt seems crazy to think of Los Lobos being together now for forty yearsonly ten less than the Rolling Stonesbut here we are. No other American band has endured quite so steadily, nor evolved in a more original way over time. Usually, a band grows as a result either of the increased complexity of its songs or of its greater command of improvising, but Los Lobos has managed both. And when it unleashed Kiko (in 1992), it not only sealed its reputation as sonic alchemists but also as a great soloing/interacting ensemble.
When Los Lobos first came to national attention with the release of the 1983 EP And A Time To Dance (Slash), it did not seem likely that it would eclipse its punk-era Los Angeles peers. That same year, X released the glorious More Fun In The New World (Elektra), and the Blasters put out the flawed but often brilliant Non Fiction (Slash/Warner Bros). It would seem that the most fertile roots music ground was already being tended very well.
Upon closer inspection, not for long. More Fun turned out to be X's last great studio album, while the Blasters only had one more studio album left. Meanwhile, the Lobos evolved into as formidable a roots band as any ever to come from LA, with songs skilled as Dave Alvin's, and a hardhitting blues-based approach that recalled the best days of Canned Heat. The Lobos boasted a frontline of guitarist/streetwise vocalist

Cesar Rosas
guitarb.1954

Cream
band / ensemble / orchestraBy the time of Kiko, the band had been together for twenty years. It had run the gauntlet from the LA punk/roots community to national attention, and even enjoyed mainstream success with the soundtrack to the 1987 Ritchie Valens biopic La Bamba, complete with a huge hit single. To insure subsequent rock stardom, all it needed to do would have been to follow it up with an electric rock album in English.
But in 1988, the band instead put out La Pistola y El Corazón (Slash), a thrilling all acoustic album of Spanish language Mexican folk songs. In 1990, it returned to its high quality tried and true formula with The Neighborhood, a record that neither alienated the faithful nor won any new converts. There was a shimmering take on

Jimmy McCracklin
vocalsb.1921
Meanwhile, Los Lobos went back on the road in the ensuing months andif one show on the tour was typicalcemented its reputation as the best, freshest non-new band this side of NRBQ, who were also still the best fresh non-new band on the circuit.
Kiko arrived as if all of a sudden in 1992, a record so startlingly different that the band immediately became difficult to classify. No more comparisons to the Blasters. The hard realism of earlier Lobos material like "A Matter Of Time" and "One Time, One Night" gave way to a more abstracted and cerebral style, and the band was suddenly likened to

Tom Waits
piano and vocalsb.1949

Captain Beefheart
vocals1941 - 2010

Miles Davis
trumpet1926 - 1991
Very few records ever sounded this... different. "Dream In Blue" opens the album with a snare drum that sounds like a cross between a New Orleans parade rhythm and something conventionally Latin, topped with a bass line right off an old

War
band / ensemble / orchestraThe blues blast of "That Train" is followed by "Kiko And The Lavender Moon," a dark cumbia that paints itself in dark muted acoustic and electric tones, sounding nothing like the tune before yet cut clearly from the same cloth.
The entire disc moves through a carefully sculpted musical world but never loses its improvisory edge, the ensemble feeling almost like some Latinized cross between XTC and the

Grateful Dead
band / ensemble / orchestrab.1965

El Chicano
bass, electricThe record's Americana moments are placed throughout almost as stepping stones. Tunes like "Whiskey Trail" and "Peace" prove the group's roots sensibilities were as intact as ever, but they're not the centerpieces they would likely have been on previous Lobos records, nor are these roots by any means exclusively American. The extremely (Mexican) traditional "Saint Behind The Glass" sounds is a harp-driven folk song. And the record's closer, "Rio De Tenampa," intentionally opens with a blast of distorted saxophones that sound like they came off one of those crappy banda records that use synthesizer horns instead of real ones. While the overall impression of this record is otherworldly, Kiko contstantly reminds, "Wherever this music might be going, it comes from this grounded place."
(Kiko's follow-up, 1996's Colossal Head, on Warner Bros., might even be better.)
It's twenty years since this record first hit the streets. Its critical reputation is huge, bordering on hyperbole. Whatever. Los Lobos is now forty years together, and is probably America's Band as much as any band can be. Kiko says why, in unimpeachable musical language.
Tracks: Dream in Blue; Wake Up Dolores; Angels with Dirty Faces; That Train Don't Stop Here; Kiko and the Lavender Moon; Saint Behind the Glass; Reva's House; When the Circus Comes; Arizona Skies; Short Side of Nothing; Two Janes; Wicked Rain; Whiskey Trail; Just a Man; Peace; Rio de Tenampa; Whiskey Trail (studio demo); Rio de Tenampa (studio demo); Peace (live); Arizona Skies/Borinquen Patria Mia (live); Kiko and the Lavendar Moon (live).
Personnel: Steve Berlin: tenor, baritone and soprano saxophone, flute, melodic, harmonica, organ, piano, synthesizer, percussion; David Hidalgo: guitars, accordion, violin, banjo, piano, percussion, vocals; Conrad R. Lozano: Fender 5-string Jazz bass and 4-string Precision bass, Godin fretless bass, guitarrón, background vocals; Louie Perez: drums, vocals, guitars, percussion, couch and phone; Cesar Rosas: electric and acoustic guitars, vocals; Pete Thomas: drums; Victor Bisetti: drums (15, 16), percussion; Fermin Herrera: Veracruz harp (6); Alex Acu?a: percussion; Gary Mallaber: drums (2); Mitchell Froom and his House of Keyboards La Chilape?a brass band.
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Los Lobos
Hardly Strictly Jazz
Skip Heller
United States
Shout! Factory
The Blasters
Cesar Rosas
Cream
Jimmy McCracklin
Tom Waits
Captain Beefheart
Miles Davis
War
Mitchell Froom
Grateful Dead
El Chicano
Malo
Television
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