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Queens: Home of Jazz and Flushing Town Hall
ByQueens has the special distinction of having been home to the largest collection of famous jazz artists anywhere at any time.
Nonetheless, each borough of New York City can stake a claim to its own parcel of ownership of the real estate of jazz history. The Bronx was home to the bygone Club 845 and Blue Morocco venues, where Latin and swing rhythms percolated and

Dizzy Gillespie
trumpet1917 - 1993

Elmo Hope
piano1923 - 1967

Tina Brooks
saxophone, tenor1932 - 1974

Thelonious Monk
piano1917 - 1982

Randy Weston
piano1926 - 2018

Duke Jordan
piano1922 - 2006

Tommy Potter
bass, acoustic1918 - 1988

Max Roach
drums1925 - 2007

Jimmy Knepper
trombone1927 - 2003

Chuck Wayne
banjob.1923
Yet Queens has the special distinction of having been home to the largest collection of famous jazz artists anywhere at any time. That's right: Queens, New York, where, since the 1920s, jazz artists have chosen as a comfortable place to live. In fact, Queens has been dubbed "the home of jazz." A sampling will suffice:

Bix Beiderbecke
cornet1903 - 1931

Fats Waller
piano1904 - 1943

Slam Stewart
bass1914 - 1987

Illinois Jacquet
saxophone, tenor1922 - 2004

Billie Holiday
vocals1915 - 1959

Milt Hinton
bass, acoustic1910 - 2000

Ella Fitzgerald
vocals1917 - 1996

Earl Bostic
saxophone, alto1913 - 1965

Count Basie
piano1904 - 1984

Lester Young
saxophone1909 - 1959

Frank Wess
saxophone, tenor1922 - 2013

Eddie "Lockjaw" Davis
saxophone, tenor1922 - 1986

John Coltrane
saxophone1926 - 1967

Ben Webster
saxophone, tenor1909 - 1973

Charles Mingus
bass, acoustic1922 - 1979

James P. Johnson
piano1894 - 1955

Glenn Miller
trombone1904 - 1944

Woody Herman
band / ensemble / orchestra1913 - 1987

Benny Goodman
clarinet1909 - 1986

Milt Jackson
vibraphone1923 - 1999

Roy Haynes
drums1926 - 2024

Clark Terry
trumpet1920 - 2015

Chick Corea
piano1941 - 2021

Cannonball Adderley
saxophone1928 - 1975

Jimmy Rushing
vocals1903 - 1972
Flushing, Queens was home to Dizzy Gillespie, Billie Holiday and

Bill Doggett
organ, Hammond B31916 - 1996
This writer visited Flushing Town Hall by way of a short trip from Grand Central Station on the #7 train, passing by the new Mets stadium along the way. I spoke with FCCA Executive Director Ellen Kodadek and Jazz Producer Clyde Bullard, a professional bassist who has produced jazz events at Flushing Town Hall since 1998. "

Jimmy Heath
saxophone, tenor1926 - 2020
Cultural crossroads is an apt description of Queens also. According to Kodadek, "Queens is the most diverse county in the country. There are over 138 languages spoken here. We're in downtown Flushing, which is mostly Chinese and Korean. As you spread out further into Flushing and further into Queens, you get this amazing cultural mix: Chinese, Korean, Columbian, Peruvian, Puerto Rican, East Asian and East Indian communities, and African-American."
The foundation of Flushing's cultural diversity was cemented over 300 years ago. "In 1657 the inhabitants of Flushing wrote the Flushing Remonstrance, a petition declaring religious freedom," said Bullard. Dutch settlers first came to America in the 1620s as a colony of Holland. Governor Peter Stuyvesant didn't tolerate religious freedom and decreed that Quakers be banished from Flushing. Flushing residents protested that ordinance in writing; this formal protest was a precursor to the U.S. Constitution's provision on freedom of religion in the Bill of Rights. "That set the stage for everything that has happened in Flushing," Bullard declared.
In the 19th century, Flushing was a major center of the abolitionist movement, and a major stop on the Underground Railroad for the formerly enslaved. Throughout the 20th century Flushing's population grew to include thousands of European immigrants and black American artists migrating from the South. In the 1970s, East Asian immigrants began settling in Flushing.
"Probably a third of our programming has an Asian context to it," Kodadek explains. "Particularly at the end of January, beginning of February, we do a month-long Lunar celebration, which is observed by the Chinese, the Korean, and the Vietnamese. We tend to do a mixed bag of visual and performing arts programs at that time."
Celebrating its 30th anniversary, the FCCA presents jazz, world and classical music, puppetry, theatre, dance, visual arts, and houses school programs and interactive workshops at Flushing Town Hall, whose city-owned Romanesque Revival Building was renovated in 1999. Since 1993 the "Jazz Alive" series has been held in Flushing Town Hall's 308-seat concert theater. A permanent exhibition of photos of jazz artists who have performed in "Jazz Alive" is available to the public on weekends from noon-5pm.
Jazz programs at the Town Hall reflect not only ethnic diversitysince January 2009 there have been "intimate jazz" shows by pianist Ayako Shirasaki, trumpeter Gabriel Alegria's Afro-Peruvian Sextet, Alva Nelson (a black American pianist from Texas), jazz drummer Pheeroan akLaff in collaboration with Japanese taiko drummers, and vocalist

Giacomo Gates
vocals
Winard Harper
drumsb.1962
A day after the concert for kids, jazz and cabaret singer Rosemary Loar, a veteran of Broadway productions such as "Cats," "42nd Street," and "Sunset Boulevard," will perform numbers from the American songbook.
On May 29th, the Queens Jazz Orchestra (QJO) will be conducted by NEA Jazz Master Jimmy Heath. "Last year was the first year of the QJO," Heath recalls. "We played compositions by Pops, Dizzy, Billie Holiday, Illinois Jacquet, John Coltrane and other greats with roots in Queens. Each year we will feature different artiststhere's a wealth of material." This year, along with songs by or associated with celebrated Queens musicians such as Woody Herman, Ella Fitzgerald, Clark Terry,

Ernie Wilkins
arranger1922 - 1999

Wycliffe Gordon
tromboneb.1967
Bullard describes Gordon's "Cyberswing" composition as "a conceptual piece that takes the listener from early jazz, such as 1890s ragtime into the swing era, bebop, and cool jazz. Then it morphs, with the orchestra, into playing synthesizers, samplers, and digital drum machines. Wycliffe will be playing an EWI, a synthesized wind instrument which can create almost any kind of sound."
Such rich jazz programming is being presented in spite of the economic downturn, which caused the FCCA to "lay off staff, trim programs, trim hours, and take pay cuts," Kodadek revealed sadly. The Queens Jazz Trail, a trolley tour of homes of jazz legends in various sections of Queens, is not in operation currently because the organization isn't able to pay the $10,000 for insurance. As one of the Cultural Institutions Group (CIG), the FCCA is awarded general operating support from New York City. This year, the FCCA take from the city was cut by 41%. "The challenge is that not only did New York City reduce funding but also that certain funding streams such as the Carnegie Corporation and the New York State Music Fund ceased their overall grantmaking," said Kodadek.
Jazz music is inspirited with a persevering attitude derived from the cultural strength of its founders and innovators; jazz says "Yes, We Can Keep Swingin'" in spite of obstacles, fickle pop culture tastes, and economic travails. That's why Kodadek is optimistic, and sees a bright future for jazz at Flushing Town Hall: "When times are hard, people gravitate to the arts. And in an economy like this, people and organizations really look for ways that they can support each other. For fiscal 2010, we're looking at how jazz in New York City is being influenced by cultural diversity, by immigrant artists who may be first or second generation musicians who moved here with all kinds of different sounds and beats and instrumentation; how are they incorporating that into jazz, how is jazz being influenced by these oral traditions that are now making up the city, particularly Queens, more and more.
"We want to continue to commission new work, continue supporting the legacy of the tradition of jazz but also look at what's the future, what's changing, what's happening now? What are some of the new takes on traditional jazz music?"
Like jazz music, the Flushing Council on Culture and the Arts and Flushing Town Hall intends to keep swingin.'
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Flushing Town Hall
New York Beat
Greg Thomas
United States
New York
New York City
Dizzy Gillespie
Elmo Hope
Tina Brooks
Thelonious Monk
Randy Weston
Duke Jordan
Tommy Potter
Max Roach
Jimmy Knepper
Chuck Wayne
Bix Beiderbecke
Fats Waller
Slam Stewart
Illinois Jacquet
Billie Holiday
Milt Hinton
Ella Fitzgerald
Earl Bostic
Count Basie
Lester Young
Frank Wess
Eddie "Lockjaw" Davis
John Coltrane
ben webster
Charles Mingus
James P. Johnson
Glenn Miller
Woody Herman
Benny Goodman
Milt Jackson
Roy Haynes
Clark Terry
Chick Corea
Cannonball Adderley
Jimmy Rushing
Bill Doggett
Jimmy Heath
Giacomo Gates
Winard Harper
Ernie Wilkins
Wycliffe Gordon
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