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Take Five With Laurie Antonioli

Whether interpreting American songbook standards, reinventing traditional American songs, or introducing contemporary melodies made vivid with her original lyrics, Antonioli brings her inclusive musical intelligence to bear on every tune. The result is a gorgeous tapestry woven from the raw materials of jazz, folk, country music, Balkan melodies and harmonies, and a style that is entirely original. She's worked and recorded with

George Cables
pianob.1944

Richie Beirach
pianob.1947
Instrument(s):
Voice.
Teachers and/or influences?

Joni Mitchell
vocalsb.1943

Betty Carter
vocals1929 - 1998

Annie Ross
vocals1930 - 2020

Keith Jarrett
pianob.1945

Miles Davis
trumpet1926 - 1991

John Coltrane
saxophone1926 - 1967

Norma Winstone
vocalsb.1941

Kenny Wheeler
flugelhorn1930 - 2014
I knew I wanted to be a musician when...
When I was 12 years old and got my first guitar.
Your sound and approach to music:
Eclectic, genre-bending jazz
Your teaching approach:
Assisting each singer find their authentic voice.
Your dream band:
Keith Jarrett,

Anouar Brahem
oudb.1957

Charlie Haden
bass, acoustic1937 - 2014

Pat Metheny
guitarb.1954

Brian Blade
drumsb.1970

Wayne Shorter
saxophone1933 - 2023
Road story: Your best or worst experience:
Traveling in a van with a group of Slovakian musicians hitting every little town in Slovakia and parts of the Czech Republic with a crazynow deceaseddrummer, Dodo Sosaka. Wild, totally wild; glad I came out alive.
Favorite venue:
Porgy & Bess in Vienna, Austria
Your favorite recording in your discography and why?
American Dreams (Intrinsic Music, 2010). It's the latest one and I always like the latest one the best. Looking forward to the next one, which is my favorite unrecorded album, Songs of Shadow, Songs of Light, a tribute to Joni Mitchell.
The first Jazz album I bought was:
Tales of a Courtesan (Victor, 1976),

Toshiko Akiyoshi
pianob.1929
What do you think is the most important thing you are contributing musically?
Authenticity, originality, and soul.
Did you know...
I used to ride in the rodeo.
CDs you are listening to now:
NPR Talk Radio;
Joni Mitchell, Travelogue (Nonesuch, 2002);
Keith Jarret, Live (ECM);
Norma Winstone, Distances (ECM, 2008).
Desert Island picks:
Kenny Wheeler, Music for Large and Small Ensembles (ECM, 1990);
Keith Jarrett, Live (ECM);
Miles Davis, Kind Of Blue (Columbia, 1958);
John Coltrane, A Love Supreme (Impulse!, 1964).
How would you describe the state of jazz today?
Changing. Who knows where we'll be in the next 10 years?
What are some of the essential requirements to keep jazz alive and growing?
Education, finding and creating venues, making music that is accessible and interesting to the average listener as well as jazz listeners.
What is in the near future?
Recording a tribute to Joni Mitchell: Songs of Shadow, Songs of Light.
What's your greatest fear when you perform?
That I will forget the lyrics.
What song would you like played at your funeral?
"Flamenco Sketches."
What is your favorite song to whistle or sing in the shower?
"Ask me Now" by

Thelonious Monk
piano1917 - 1982
By Day:
Director of the Vocal Program at The Jazzschool in Berkeley, California.
If I weren't a jazz musician, I would be a:
Writer.
Tags
Laurie Antonioli
Take Five With...
United States
George Cables
Richie Beirach
Joni Mitchell
Betty Carter
Annie Ross
Keith Jarrett
Miles Davis
John Coltrane
norma winstone
Kenny Wheeler
Anouar Brahem
Charlie Haden
pat metheny
Brian Blade
Wayne Shorter
Toshiko Akiyoshi
Thelonious Monk
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