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Lena Bloch: Feathery

By Dan McClenaghan
March 16, 2014
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Russian-born tenor saxophonist

Lena Bloch

saxophone
b.1962

" data-original-title="" title="">Lena Bloch carries a cool burning torch for the music of saxophonist

Warne Marsh

saxophone, tenor
1927 - 1987

" data-original-title="" title="">Warne Marsh and the

" data-original-title="" title="">Lennie Tristano school of jazz. For Feathery, her debut CD as a leader, Bloch has assembled a quartet that can rival the loose and interactive and spontaneous ensembles of alto saxophonist

Lee Konitz

saxophone, alto
1927 - 2020

" data-original-title="" title="">Lee Konitz—a Tristano acolyte and Bloch's friend and mentor.

Like the marvelous Konitz outing, Live at Birdland (ECM Record, 2011), where the saxophonist was joined by top notch players—pianist

Brad Mehldau

piano
b.1970

" data-original-title="" title="">Brad Mehldau, bassist

Charlie Haden

bass, acoustic
1937 - 2014

" data-original-title="" title="">Charlie Haden and drummer

Paul Motian

drums
1931 - 2011

" data-original-title="" title="">Paul Motian—Bloch has enlisted a team of superb in-the-moment instrumentalists who keep things loose and fluid, walking a line between the free side of jazz and the more mainstream mode.

Bloch opens with her original, "Hi-Lee," a tribute to Konitz. The intro, a minute-long duet from from bassist

Cameron Brown

bass
b.1945

" data-original-title="" title="">Cameron Brown and drummer

Billy Mintz

drums

" data-original-title="" title="">Billy Mintz, is pure poetry. The bass line's vivacious bounce is underlain by the whisper of orchestral coloration, an effervescent wash of brush and cymbal splash that Bloch slips into with a seductive and understated tone, with sinuous lines that are given a bright tang by Dave Miller's glowing single note accompaniments.

Songwriting duties are spread around. Bassist Brown contributes the eleven minute-plus "Baby Suite," a rambling tune that begins as a tone poem and gels into hard-swinging, beautiful groove. "Rubato," a vibrant group improvisation, comes from guitarist Miller's pen, and Bloch offers up "Farewell to Arms," a forlorn, late-night feel, with the leader's tenor sounding especially dark-hued and introspective.

"Beautiful You," composed by Billy Mintz, served as the title tune of the excellent-but-overlooked 2004 John Gross/Billy Mintz duet recording on Origin Records. It sounds here like a haunting love letter to an extraordinary someone special, full of tenderness and deeply considered adoration.

Debuts are rarely this assured. The band is first rate, as spontaneous and fresh as it could be, the leader has a clear vision, and the compelling music shines a light on a fresh side of the Lennie Tristano side of jazz.

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Track Listing

Hi-Lee; Rubato; Baby Suite; Starry-Eyed; Marshmallow; Farewell to Arms; Featherbed; Beautiful You; Hi-Lee (reprise).

Personnel

Lena Bloch

saxophone

Dave Miller

guitar

Cameron Brown

bass

Billy Mintz

drums

Lena Bloch: tenor saxophone; Dave Miller: guitar; Cameron Brown: bass; Billy Mintz: drums.

Album information

Title: Feathery | Year Released: 2014 | Record Label: Thirteenth Note Records

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