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John Kelman's Best Releases of 2017
ByStill, as John Cleese once said in a Monty Python sketch: "Adopt, adapt and improve."
And so, after a three-year absence, I figured I'd throw in a top ten for jazz and top five for beyond (meaning: anything else), both including a mix of new releases and reissues/archival finds. But to let folks know that these two lists only scratch the surface of all the music I've been privileged to hear this yearand that, as ever, there are far more "best of" titles than even my previously large lists includedI'll also add, at the end (and for anyone interested), a list of releases would have been reviewed, had it been possible.
So, bearing that in mind, first up are just a few of the top recorded events in jazz and beyond for 2017 (as ever, in no particular order):
Jazz Recordings: New and Reissues/Archival Finds


Anouar Brahem
oudb.1957
Blue Maqams
ECM Records
For his first album with bassist

Dave Holland
bassb.1946

Jack DeJohnette
drumsb.1942

Django Bates
pianob.1960


Ingrid Jensen
trumpetb.1966

Christine Jensen
saxophoneInfinitude
Whirlwind Recording Ltd
Any new music from sisters Ingrid (trumpet, electronics) and Christine (alto and soprano saxophones) Jensen is worth celebrating; the sibling empathy they share translates into a rare and specific chemistry. With Christine's star on the ascension as a composer for her two previous Jazz Orchestra recordings, Infinitude scales things down to a more intimate quintet, featuring longtime partners

Fraser Hollins
bass
Jon Wikan
drums
Ben Monder
guitarb.1962


Mark Wingfield
guitar, electric
Markus Reuter
guitar, electricb.1972

Yaron Stavi
bass, acoustic
Asaf Sirkis
drumsb.1969
The Stone House
Moonjune Records
The album that was never meant to be, The Stone House was part of a six-day, (planned) three-session set of recordings at the titular Catalonian studio. Guitarist Wingfield, touch guitarist Reuter and drummer Sirkis had already recording enough music, on the first of two planned days, for the subsequently released Lighthouse (Moonjune), so when Stavi arrived early for his part in the following session and hearing what the other three had accomplished, the bassist jumped at the chance to join in for a day's worth of in the-moment recording that yielded this exceptional release. This is neither your grandfather's jazz nor even your father's; instead, this quartet of forward-reaching musicians have fashioned, with both The Stone House and Lighthouse, a new improvisational language...a new way of doing things for the new millennium. Unrelenting in its daring, and not for the faint-at-heart, this quartet combines aggressive interaction with surprising moments of beauty. The Stone House is, indeed, a litmus test against which other contemporary improvised music must surely now be judged.


Bill Frisell
guitar, electricb.1951

Thomas Morgan
bass, acousticSmall Town
ECM Records
Impressing with subtlety, nuance and mitochondrial-level interaction rather than "look at me" pyrotechnics, this debut duo recording with bassist Morgan represents guitarist Frisell's first ECM session as a leader/co-leader in, well, decades (though he has appeared on the label as a guest as recently as 2014). As expected, this is a gentle, often whisper-level recording of profound beauty, where music trumps virtuosic concerns every time, even though both players are undeniable masters of their instruments. Whether or not Frisell remains recording for the label is uncertain, but what is certain is that this duowith a summer of festival dates now behind them (including a stellar visit to the 2017 TD Ottawa Jazz Festival)certainly deserves to continue touring and being documented. Hopefully there will be more to come from these two gentle souls who seem to connect so deeply that words become unnecessary.


Alex Cline
drumsb.1956
Ocean of Vows
Cryptogramophone
Percussionist Cline has a long career with a relatively small discography as a leader, so any time he releases an album it's worth taking note. With Ocean of Vows, however, he has outdone himself with his most ambitious recording to date: two CDs, each featuring five-movement suites performed by a twelve-piece band including some of the left coast's best, amongst them guitarists

Nels Cline
guitar, electricb.1956

Jeff Gauthier
violinb.1954
Brad Dutz
percussionWayne Peet
b.1954

John Abercrombie
guitar1944 - 2017
Up and Coming
ECM Records
The world lost one of its greatest guitarists this year when John Abercrombie left us at the age of 72. Released a few months before his passing, Up and Coming is his second ECM release with a group that has alsobarring one exception (drummer

Joey Baron
drumsb.1955

Billy Hart
drumsb.1940

Marc Copland
pianob.1948

Drew Gress
bassb.1959
On Up and Coming, using compositional forms to create contexts for collective and individual expression, this quartet created music that rarely even reached a simmer but was, in its exploration of delicate touch and keen focus, as captivating as anything more obvious. RIP John: gone, but never to be forgotten.


Oregon
band / ensemble / orchestraLantern
Cam Jazz
With co-founding bassist

Glen Moore
bass, acousticb.1941

Ralph Towner
guitarb.1940

Paul McCandless
woodwindsb.1947

Mark Walker
drumsb.1961
With Lantern, the answer is made clear: with the addition of Italian double bassist

The group doesn't break ground on a large scale as it did in its early days, but continues to make music that no other group could. With the pan-cultural bent that long preceded the coining of the term, Oregon truly was one of the firstif not the firstgroups to suggest that music from many cultures could find a common meeting place under the rubric "World Music." It may be too diminutive a descriptor for Oregon's rich legacy, but for a reductionist term it'll do. Lantern represents a new era for the group; but with Towner now 77 and McCandless 70, it's hard to know how many more albums the group will have in it, making Lantern all the more precious.


Louis Sclavis
woodwindsb.1953

Dominique Pifarély
violin
Vincent Courtois
celloAsian Fields Variations
ECM Records
Having recorded with each other in various permutations and combinations over the years, clarinetist/saxophonist Sclavis, violinist Pifarély and cellist Courtois have only recorded together once before, on 2003's Napoli's Walls (ECM), but that was a larger group effort. Bringing these three exceptional French musicians together as an egalitarian triowhere each musician's compositional input is as important as the next and and their improvisational acumen as key to this chamber ensemble's telepathic connectionwas an inspired choice. With label head



Yelena Eckemoff
pianoIn the Shadow of a Cloud
L & H Production
Slowly, with great care and a constant search for ways to challenge herself, classical pianist turned jazzer Eckemoff has been releasing increasingly impressive albums in the jazz sphere since 2010. Each recording represents some kind of growth, but few as much as In the Shadow of a Cloud, with its A-list lineup of reed/woodwind multi-instrumentalist

Chris Potter
saxophone, tenorb.1971

Adam Rogers
guitarb.1965

Drew Gress
bassb.1959

Gerald Cleaver
drumsb.1963
Beyond writing all the music on this two-disc set, Eckemoff continues to contribute poetry that relates directly to the music at hand, in addition to creating all the artwork that imbues her attractive packages. With a group of improvisers this good, Eckemoff is also driven to deliver some of her best playing to date, in the context of a book of music that runs the gamut from some of the pianist's freest to some of her most wonderfully detailed charts of startling complexity. But as challenging as her music can sometimes be, it's never for the mere sake of it, resulting in music that can be as gossamer-light as a cloud or as sharp and striking as a lightning bolt. This is one group that Eckemoff should consider recruiting again.


Jaco Pastorius
bass, electric1951 - 1987
Truth, Liberty & Soul Live in New York: The Complete NPR Jazz Alive! Recording
Resonance Records
Despite a relatively short time in the limelight, bassist/composer Jaco Pastorius left a lasting legacy that continues to influence subsequent generations of musicians and fans alike. Thank you, Resonance Records, for putting together another of your characteristically comprehensive packages: in addition to the first-time commercial release of this entire 131-minute live performance, featuring the bassist's 22-piece Word of Mouth Big Band (with guest harmonicist, the late

Toots Thielemans
harmonica1922 - 2016
The impeccable audio restoration (also worth checking out in higher resolution) ensures that this concert virtually bursts out of speakers with the kind of vivacity so definitive of the late bassist, whose career took a tragic downturn not long after this recording due to an untreated and increasingly severe mood affective disorder. Another of the "gone, but not forgotten" musicians but one who truly left this mortal coil far too early, Pastorius' compositional voice and seemingly effortless virtuosity on fretless electric bass imbue a set of music that, with the inclusion of steel pan player

Othello Molineaux
drums, steelb.1939


Kenny Wheeler
flugelhorn1930 - 2014
Deer Wan (High Res 24/192 Digital Download)
ECM Records
While ECM Records has released almost all of its new releases in various high resolution downloadable formatsand if you think their CDs sound terrific (they do), try them in higher resolutionsit is only slowly getting around to getting some of its classic early recordings out in the same format. A quintet of seminal albums were released early this year, with the best of the bunch being Canadian expat trumpeter

Kenny Wheeler
flugelhorn1930 - 2014

Jan Garbarek
saxophoneb.1947

John Abercrombie
guitar1944 - 2017

Dave Holland
bassb.1946

Jack DeJohnette
drumsb.1942

Ralph Towner
guitarb.1940
But utilizing the studio to create thicker layers of horns, while still leaving plenty of room for collaborative and personal extemporization, Deer Wan is a more sophisticated workone that remains a watershed in the trumpeter's sizeable discography. Sadly, there are no more to come, with the British resident trumpeter's passing in 2014. In 24/192 resolution, the dynamics are impeccable and the soundstage suitably large; Deer Wan sounds like what it might have felt to have been in the recording studio with these fine musiciansand, of course, label head/producer

Beyond Recordings: New and Reissues/Archival Finds


King Crimson
band / ensemble / orchestrab.1969
Sailors' Tales 1970-1972
Panegyric Recordings
With the current eight-piece incarnation of King Crimsonfirst revived as a septet that began touring in 2014 but has continued on with no apparent end in sightincluding the return of

Mel Collins
saxophoneb.1947

Steven Wilson
composer / conductorb.1967
The period following the first lineup's dissolution was a transitional one, as its sole remaining co-founders (guitarist/keyboardist

Robert Fripp
guitarb.1946
Sailors' Tales' three studio albums are amongst the band's most overlooked, while the Islands lineup has been equally (and unfairly) neglected in favor of lineups like the one that came together later in 1972 for Larks Tongues in Aspic (1973). Between the current Crimson reviving a good deal of music from this period and the release of Sailors' Tales 1970-1972, there's a strong case for revisiting the band's early, transitional period between two touring groups as more than worthwhile. It may not have had the same heft as the LTIA lineup, but Crimson would never be as free, as improvisation-heavy or as completely unfettered as the Fripp/Collins/Burrell/Wallace incarnation, making Sailors' Tales 1970-1972 an absolutely essential document that fills in previous holes in its long history.


Bill Bruford
drumsb.1949
Bruford: Seems Like a Lifetime Ago
Gonzo Multimedia
Less overlooked than 1970-1972 Crimson, future Crim drummer

Bill Bruford
drumsb.1949

Yes
band / ensemble / orchestra
Dave Stewart
keyboards
Allan Holdsworth
guitar, electric1948 - 2017

Soft Machine
band / ensemble / orchestrab.1966

Tony Williams
drums1945 - 1997

Gong
band / ensemble / orchestra
Jeff Berlin
bass, electricb.1953

Gil Evans
composer / conductor1912 - 1988

Esther Phillips
vocals1935 - 1984
Clark may not have been as groundbreaking a guitarist as Holdsworth (who would go on to lead a creatively untouchable solo career soon after), but he was still a fine playerone=whose whose contributions are made far clearer on this six-CD, two-DVD-V box set which includes current Crimson guitarist/vocalist
Jakko M. Jakszyk
guitarFalling under some criticism for its lack of high resolution remixes, Seems Like a Lifetime Ago still represents this relatively diminutive discography at its absolute finest and definitive, the band's history documented with particularly strength in Crimson scribe Sid Smith's as-ever detailed and informative liners. Another essential set.


Steven Wilson
composer / conductorb.1967
To the Bone
Caroline International
While his previous post-Porcupine Tree solo albums point in a progressive rock direction rooted more decidedly (if far from completely) in the '70s, guitarist/bassist/keyboardist/singer/songwriter

Steven Wilson
composer / conductorb.1967

No-Man
band / ensemble / orchestrab.1987

Peter Gabriel
vocalsb.1950
As progressive in intent and stylistically broad-reaching as ever, To the Bone largely dials down the '70s prog approach that was so successful with 2013's The Raven That Refused to Sing (and Other Stories). 2015's even more successful Hand. Cannot. Erase. may have foreshadowed what was to come in its stronger pop affiliationa tendency far from new when looking back to Porcupine Tree songs like "The Sound of Muzak," "Even Less" and "Lazarus"To the Bone remains Wilson's most fully intended pop record to date. Largely gone are the epics and the overtly virtuosic soloing, though he continues to surround himself with terrific musicians that have helped him raise his compositional game, including longstanding keyboardist

Adam Holzman
keyboards

Theo Travis
saxophoneOpen Air
Tonefloat
Speaking of Steven Wilson, woodwind/reed multi-instrumentalist

Theo Travis
saxophone
Pink Floyd
band / ensemble / orchestrab.1964
David Gilmour
guitar and vocals
Soft Machine
band / ensemble / orchestrab.1966
But Travis has also amassed his own discography as a leader gradually. Open Air leverages his self-developed Ambitronics, his flute/saxophone equivalent to guitarist

Robert Fripp
guitarb.1946

John Surman
saxophoneb.1944


King Crimson
band / ensemble / orchestrab.1969
Official Bootleg: Live in Chicago, June 28th, 2017
DGM Live
And it all comes back to Crimson. Amongst the now four-strong live released by the current variants of the group since its return to active duty in 2014, Official Bootleg: Live in Chicago, June 28th, 2017 may well be its most impressive yet...and that's saying something. Captured, warts and all, from a soundboard recording during the group's summer tour of North Americaand recorded just a few days before its two dates in Montreal and Toronto, Live in Chicago documents the first-ever live recordings of material dating as far back as 45 years...and, in one some cases, ever.
As staggering as it is to hear Lizard's "Cirkus" performed with (up to) three keyboardists, two drummers, woodwinds/saxophones, guitars and voices, it's the second half of that album's second siderunning the gamut from hauntingly foreboding and all-out chaos to, in the closing "Prince Rupert's Lament," the dream of Crimson guitarist/vocalist Jakko Jakszyk to hear Robert Fripp play, in concert, what remains one of the Crimson co-founder's most memorable moments first caught in the studio.
Of course, Fripp's performances with this current incarnationand as is true for everyone in the group, as it so ably and thrillingly reinvents material that now covers music from every prior lineupare never the same twice. And so, Live in Chicago captures nothing more nor less than a particular moment in timealbeit a rather long one as the two sets approach two-and-a-half-hours in lengthand a snapshot of a setlist that continues to evolve each and every year, as the group continues to write new music and bring old music made new again into the repertoire. With Crimson's 50th anniversary approaching in 2019and word floating about that 2020 may even be possibleit's a certainty that each and every subsequent tour will bring even more surprises and reasons to attend. Official Bootleg: Live in Chicago, June 28th, 2017 is yet another demonstration of this lineup's ability to bring nearly a half century of diverse music to concert halls in ways that no prior lineup ever could.
Unreviewed But Still Faves
And now, those two additional listsno covers, no commentaryof 2017 releases that I couldn't get around to reviewing, but sure wish I could have. In no particular orderother than listing new releases first, followed by the archival finds and reissuesevery one of these is top-drawer, regardless of genre, and worthy of attention:
Jazz
Various Artists, Sky Music: A Tribute to Terje Rypdal (Rune Grammofon)

Scott DuBois
guitarb.1978

Rudresh Mahanthappa
saxophone, altob.1971

Rez Abbasi
guitar, acousticb.1965

Marius Neset
saxophoneb.1985

Marc Copland
pianob.1948

Marc Copland
pianob.1948

Jon Balke
pianob.1955

Erik Honore
samples / effectsb.1966

Django Bates
pianob.1960

Maciej Obara
saxophoneb.1981

Dusan Jevtovic
guitarJohn Warren
composer / conductorb.1938

Jerry Granelli
drums1940 - 2021

Cuong Vu
trumpetb.1969

Dave Liebman
saxophoneb.1946

Joe Lovano
drumsb.1952

David Binney
saxophone, altob.1961

David Gilmore
guitar
Avishai Cohen
bassb.1970

Arve Henriksen
trumpetb.1968

Chris Potter
saxophone, tenorb.1971

Machine Mass
band / ensemble / orchestraBrand X, But Wait...There's More (Self Produced)

Hermeto Pascoal
multi-instrumentalist1936 - 2025
(Far Out Recordings)
Beyond
Peter Hammill
vocalsSpock's Beard, Snow Live (Radiant Records)

Steve Winwood
keyboardsb.1948
Lindsey Buckingham & Christine McVie, Buckingham McVie Neil Finn, Out of Silence (Sony)

Robert Plant
vocalsb.1948

Gregg Allman
organ, Hammond B31947 - 2017
David Crosby, Sky Trails (BMG)

Randy Newman
pianob.1943

Mavis Staples
vocalsb.1939

The Beatles
band / ensemble / orchestra
David Bowie
vocals1947 - 2016

(Rhino)
XTC, Black Sea (remixed/expanded) (APE)


Gentle Giant
band / ensemble / orchestrab.1970

Pentangle
band / ensemble / orchestrab.1967

Grateful Dead
band / ensemble / orchestrab.1965

Bob Dylan
guitar and vocalsb.1941
" data-original-title="" title="">Art Zoyd, 44 1/2 Live + Unreleased (Cuneiform Records)

Shawn Colvin
guitar and vocals(Legacy)

Richard Thompson
guitarb.1949
Fairport Convention, Come All Ye: The First Ten Years (Island)

No-Man
band / ensemble / orchestrab.1987

Jeff Beck
guitar1944 - 2023

Santana
band / ensemble / orchestraGrateful Dead, Get Shown the Light (Rhino)
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