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Meet Davis Wilson

Five years later I married again. She hated jazz. For seventeen years I was separated from my music. Finally, we divorced and I was free.
Tell us a bit about yourself.
I was born in Tampa, Florida, in 1936. My father was a cop who died when I was nine years old. Somehow my mother raised my brother and me. We had an old Cable upright piano. I begged for lessons and, thanks to Ms. Russ and Schirmer [sheet music publisher], I learned to read music and gained a basic grasp of music theory. I am grateful. This was the foundation of my musical life.
I got through high school. Despite a good academic scholarship, I was tossed out of Florida State University. Afterwards, I bounced around a few jobs and then, in 1954, joined the Navy. After boot camp I was posted to Treasure Island, in San Francisco. I joined the boxing team so I was what they called "open gangway," which meant I was exempt from watch duty every third day, and not restricted to base.
Later, I sold books for a while and then became a dance teacher at Arthur Murray. After a year of living on the edge I drove the county bookmobile for the Tampa Public Library. I enrolled in the new University of South Florida as a theater major. The following summer I had a few small roles in a production of Hamlet. I met my first wife and left school to work for the U.S. Postal Service. A fellow worker sent my name to Jeopardy, so I made an appointment for an audition, flew to New York, and was selected. I went as a standby contestant and asked "What time is the call tomorrow?" "No! You're on in five minutes." That was the fastest half hour of my life.
At the time, I was appearing in a production of Brendan Behan's play, The Hostage, as a Russian sailor in a brothel, and the costume director had given me a buzz cut with pinking shears! That Jeopardy aired on Memorial Day. Everybody was home. I got calls from friends living God knows where. A year later I scored an appearance in the last episode of Route 66. I returned to USF to study sociology. I left school and became a steamship agent. I loved the work but it put a strain on the marriage and my wife divorced me. Five years later I married again. She hated jazz. For seventeen years, I was separated from my music. Finally, we divorced and I was free.
I have lived in many places. I am currently based in St. Paul, Minnesota. Here, I am able to pursue my passions: theater, music, and poetry, although, these days, too much of my energy must be devoted to survival. I have a good memory, so my brain is stuffed with music, poetry, and everything I've stumbled across in eighty years.
How long have you been going out to hear live music?
Sixty years, off and on.
How often do you go out to hear live music?
As often as I can afford it.
What is it about live music that makes it so special for you?
For starters I'll quote

Keith Jarrett
pianob.1945
What are the elements of an amazing concert?
The music, the performers. In 1957, I stumbled into some funky auditorium I don't remember the name of in Seattle. The following musicians came out, played three songs, and split:

George Shearing
piano1919 - 2011

Bud Powell
piano1924 - 1966

Lester Young
saxophone1909 - 1959

Billie Holiday
vocals1915 - 1959
What is the farthest you've traveled to get to a jazz performance?
The first time I went to Paris coincided with the Paris Jazz Festival. I went to the Parc Floral, knowing that

Tom Harrell
trumpetb.1946

Conrad Herwig
tromboneb.1959

Greg Osby
saxophoneb.1960

Ralph Peterson
drums1962 - 2021

Xavier Davis
pianoIs there one concert that got away that you still regret having missed?
A few years ago, I passed on an

Astor Piazzolla
bandoneon1921 - 1992
If you could go back in time and hear one of the jazz legends perform live, who would it be?
Too many.

Buddy Bolden
cornet1877 - 1931

Django Reinhardt
guitar1910 - 1953

Charlie Parker
saxophone, alto1920 - 1955
What makes a great jazz club?
Freedom, ambiance, affordability, good players/singers. Of course, I loved the Artists' Quarter in Lowertown, St. Paul. And I loved the old Blackhawk in San Francisco. When I was stationed on Treasure Island, every time I had a few bucks I headed for the Blackhawk, a nightclub in the Tenderloin that became my second home. I hung out there, fearlessly, in my little sailor suit. I dug it all:

Shelly Manne
drums1920 - 1984

Monty Budwig
bass, acoustic1929 - 1992

Stu Williamson
trumpet1933 - 1991

Richie Kamuca
saxophone, tenor1930 - 1977

Russ Freeman
piano1926 - 2002

Wes Montgomery
guitar1923 - 1968

Buddy Montgomery
piano1930 - 2009
Benny Barth
b.1929
Cal Tjader
vibraphone1925 - 1982
Al McKibbon
bass, acousticb.1919

Vince Guaraldi
piano1928 - 1976

Willie Bobo
percussion1934 - 1983

Mongo Santamaria
percussion1917 - 2003

Dave Brubeck
piano1920 - 2012

Paul Desmond
saxophone, alto1924 - 1977
Which club(s) are you most regularly to be found at?
Crooners Jazz and Supper Club in north Minneapolis. The owner, Mary Tjosvold, added the Dunsmore Room to commemorate pianist Larry Dunsmore, her late husband. It's a fabulous listening space with a nine-foot Steinway and a strict NO talking rule. Great venue. " data-original-title="" title="">Andrew Walesch, a fine singer and pianist, books top local and national acts. Get there if you can.
Is there a club that's no longer around that you miss the most?
Of course, the AQ.
Tell us about your work there.
Legendary job. Kenny Horst had revived the Minneapolis Artists' Quarter. I convinced him to let me take care of the door. In September 2000, we moved to the Hamm Building and stayed for fourteen years. Fourteen years of incredible music and musicians. What a ride!
Kenny believed in low prices so I collected the modest covers and managed the crowds, which were double packed for Happy Apple [

Dave King
drumsb.1970

Michael Lewis
saxophone
Lew Tabackin
saxophone, tenorb.1940
Do you have a favorite jazz anecdote?
Several! While I was at FSU, one night, Ricky Powell, a high school friend I had mistakenly labeled as square, told me there was a little jam in the lobby: two cats from Florida A & M were coming over. Forty years later he asked me: "You know who those guys were?" "No." "Julian Adderley and

Nat Adderley
trumpet1931 - 2000
In Honolulu, I found Martin Denny's Exotica band alternating nights with a Juilliard-trained pianist named Rene Paulo. One night, a shipmate and I found a little joint called The Clouds. In a small club was a trio backing a striking singer. She was over six feet tall, wearing a sarong, and barefoot. She said Watusi blood accounted for her height. She sang mostly calypso and a few covers. She was so interesting. I bought her drinks and talked to her every break, all night. Her name was Maya Angelou. Later, I found her album, Miss Calypso. Still the best version of "Calypso Blues" I've heard.
How do you discover new artists?
Radio first of all, then word-of-mouth.
Vinyl, CDs, MP3s, streaming?
CDs and streaming. At one point, I had a fair record collection: Early

Charles Mingus
bass, acoustic1922 - 1979

Clifford Brown
trumpetb.1930
If you were a professional musician, which instrument would you play and why?
Piano. I studied classical for a few years. If I had the chops, it's all I would do. Another life perhaps.
What's your desert island disc?
One? Impossible. Don't even get me started.
What do you think keeps jazz alive and thriving?
The kids. I know so many who persist, find gigs, play all the time. It's amazing. Most are good, too. It gives me hope.
Is there anything else we should know about you?
I'm a professional Santa. I'm a Super-Ager. Poetry is my real metier. I have a prodigious memory for music and lyrics. I have COPD, dysphagia, and a vestibular disturbance. Otherwise, as Sondheim wrote, I'm still here.
Finish this sentence: Life without music would be...
Unthinkable.
Photo credit: Andrea Canter
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Out and About: The Super Fans
Tessa Souter and Andrea Wolper
Keith Jarrett
George Shearing
Bud Powell
Lester Young
Billie Holiday
Tom Harrell
Conrad Herwig
Greg Osby
Ralph Peterson
Xavier Davis
Astor Piazzolla
Buddy Bolden
Django Reinhardt
Charlie Parker
Artists' Quarter
Blackhawk
Shelley Mann
Monty Budwig
Stu Williamson
Richie Kamuka
Russ Freeman
Montgomery Brothers
Wes Montgomery
Buddy Montgomery
Richard Crabtree
Benny Barth
Cal Tjader
Al McKibbon
Vince Guaraldi
Willie Bobo
Mongo Santamaria
Dave Brubeck
Paul Desmond
Crooners Jazz and Supper Club
andrew walesch
dave king
Mike Lewis
Eric Fratzke
Bad Plus
Lord Buckley
lew tabackin
Julian Adderly
Nat Adderley
Martin Denny
Rene Paulo
Maya Angelou
Charles Mingus
Clifford Brown
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