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Meet Tom Kohn

My first job was in a record store in high school and by the time I was 20 I had probably 2,000 albums and was going to every concert I possibly could.
Tell us a bit about yourself.
I was born and grew up in Rochester, New York, where I still live and own a record store, Bop Shop Records. I have a "regular irregular" schedule of live performances there. My first job was in a record store in high school and by the time I was 20 I had probably 2,000 albums (I had taken over my parent's basement) and was going to every concert I possibly could. After high school I worked for a guitar effects company, MXR, as a production tech doing in-house repairs and testing. I also worked for then-distributor Rounder Records doing sales in all the stores, where I learned so much about every genre. And then I lost my son and that changed my life. I decided to refocus my energies and start selling records.I started out buying and selling used records in 1982 at a semi-permanent weekly flea market store (also called Bop Shop), which morphed into the physical record store by the mid-'80s. I've also been presenting jazz and other music there since around 1988. No artists were coming up to Rochester in those days and I was blowing $500 bucks to fly down to hear music in New York. So I thought why not invite people to come here and play and pay them the $500 instead.
Since then, the record business has been through many ups and downs. Rollercoaster is a mild way to put it. It's been through hell and back for a lot of different reasons but right now it's good. We're enjoying a really healthy resurgence of interest in vinyl. And there's a lot of great music out there at the momentespecially in jazz. In bad political climates the arts tend to flourish because people have more to say. Record stores are an important link between the people who create music and the people who listen to music, and it feels good to be a link in that chain.
What is your earliest memory of music?
We didn't listen to a lot of music at home. My parents had the Kingston Trio records and
Pink Floyd
band / ensemble / orchestrab.1964

The Who
band / ensemble / orchestraHow old were you when you got your first record?
I was given a box of 45s from a relative when I was about 12, but I can't remember what they were. I mostly learned about bands like the
The Beach Boys
band / ensemble / orchestrab.1961
What was the first concert you ever attended?

Elton John
pianob.1946
Was there one album or experience that was your doorway to jazz?
I loved Julie Driscoll's 'Wheels on Fire' and 'Tramp.' Then when I was working at the store in the early '70s I saw a
Carla Bley
piano1938 - 2023

Miles Davis
trumpet1926 - 1991

Soft Machine
band / ensemble / orchestrab.1966

Anthony Braxton
woodwindsb.1945

Dave Holland
bassb.1946

Barry Altschul
drumsb.1943
How long have you been going out to hear live music?
Since 1972How often do you go out to hear live music?
At least once a week. >What is it about live music that makes it so special for you?
Emotion, spontaneity and passion! And sometimes a little humor. It's a connection you have with another human. As an artist does what he does, you look for that bridge that ties you up with whoever it is. It can come in different forms. You are at a concert and all of a sudden magic happens. My favorite example is
Michael Blake
saxophone, tenorb.1964

Ramsey Lewis
piano1935 - 2022
What are the elements of an amazing concert?
A pure connection between the artist and the audience. >What is the most trouble you've gone to or the farthest you've traveled to get to a jazz performance?
I drove 800 miles to Iowa City for The Iowa City Jazz Festival specifically to see
Allison Miller
drumsIs there one concert that got away that you still regret having missed?

Muddy Waters
guitar1915 - 1983
If you could go back in time and hear one of the jazz legends perform live, who would it be?

John Coltrane
saxophone1926 - 1967

Thelonious Monk
piano1917 - 1982

Charles Mingus
bass, acoustic1922 - 1979

Miles Davis
trumpet1926 - 1991
What is it about your favorite clubs that makes them your favorites?
I went to see someone in a beautiful room recently. It was a really lovely venue. And of course this couple were talking. This inevitably happens when you go out to a club. But at my own venuea space at the back of my store, BopShop Recordsthat never happens. It's a listening room. Talk between tunes, if you like, talk afterwards, but don't talk during the music.Tell us more about the venue part of the shop.
I have drums, piano, amps, everything anyone needs. It seats 60 people and we charge a cover on the doorall of which goes to the musicians. Sometimes I have to supplement if I don't make the guarantee. But it's worth it. We have had so many peoplethe
ICP Orchestra
band / ensemble / orchestra
Steve Lacy
saxophone, soprano1934 - 2004

Joe Farnsworth
drumsb.1968

Billy Bang
violin1947 - 2011

David Murray
saxophone, tenorb.1955

Paul Smoker
trumpet1941 - 2016

Ralph Alessi
trumpetb.1963
Which club are you most regularly to be found at?
There are a couple of places in town I like. The Kilbourn Hall in the Eastman School. It's got good sound. People respect the place. There's a smaller room at the school that only seats 200, Hatch Hall. It's new and they use it for solo piano stuff. That's a great room too. Lovin' Cup can be a good room too, depending on the crowd.Is there a club that's no longer here that you miss the most?
There was a club in town called Red Creek. I saw
Bonnie Raitt
guitar and vocalsb.1949
King Sunny Ade
guitarHow do you discover new artists?
Vinyl and CDS, reading reviews, listening to what other musicians are listening to.Vinyl, CDs, MP3s, or streaming?
God forbid never an MP3.If you were a professional musician, which instrument would you play, and why?
I attempted saxophone briefly. I like guitar music a lot. I think, though, I would choose saxophone. But any instrument. My parents stopped me playing the saxophone because they thought it would mess up my teeth. Weird. They were old fashioned.What do you think keeps jazz alive and thriving?
Thinking people. There's such fresh stuff going on in jazz. It's not music of the masses and it never will be. But the kind of music I am hearing, and bringing up here, whether it's writing new arrangements of Sesame Street or whatever, it keeps people thinking. It keeps people alive. It's important stuff. Otherwise we would all stagnate, and that, to me, is death.Finish this sentence: Life without music would be...
Boring. Incomplete.Tags
Out and About: The Super Fans
Tessa Souter and Andrea Wolper
Kingston Trio
Tom Lehrer
Pink Floyd
The Who
the Kinks
Beach Boys
Pretty Things
The Move
Elton John
Family
Roger Chapman
Julie Driscoll
carla bley
Julie Tippets
Keith Tippets
Miles Davis
Soft Machine
anthony braxton
Dave Holland
Barry Altschul
Michael Blake
Ramsey Lewis
Allison Miller
Muddy Waters
John Coltrane
Thelonious Monk
Charles Mingus
ICP Orchestra
Steve Lacy
Joe Farnsworth
Billy Bang
David Murray
Paul Smoker
Ralph Alessi
Kilbourn Hall
Hatch Hall
Lovin' Cup
Bonnie Raitt
King Sunny Ade
Stefan Grapelli,
Gang of Four
Tom Kohn
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