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Geoff Stradling: Nimble Digits
By
Geoff Stradling
pianob.1955
Yes, the album does swingmore than thirty of the L.A. area's most accomplished musicians make sure of thatbut if swing were all, the enterprise could easily be dismissed as repetitious and one-dimensional. What sets the session apart and makes it worth hearing and appreciating more than once are Stradling's superlative charts, which span the gamut from blues to ballad, burners to Latin beats, and are never less than bright and pleasurable. Stradling, who started writing big-band charts when he was a high-school student in the mid-1970s, composed all but one song on Nimble Digits (the lovely "Poinciana") and arranged everything.
The StradBand, which has been performing in the Los Angeles area almost since it was formed in 2010, had been unable to record before now because of economics. But after the pandemic struck, Stradling decided it was now or never, launched a KickStarter campaign to help finance the venture, and was able to raise enough money to underwrite the album. Anyone who samples the finished product should be extremely grateful that Stradling and the band persevered, as this is big-band jazz of the highest order, worthy of comparison to such hallowed names as

Count Basie
piano1904 - 1984

Woody Herman
band / ensemble / orchestra1913 - 1987

Stan Kenton
piano1911 - 1979

Benny Goodman
clarinet1909 - 1986

Artie Shaw
clarinet1910 - 2004

Louie Bellson
drums1924 - 2009

Buddy Rich
drums1917 - 1987
The StradBand gets right down to business with "Blue Note," a charming blues-based salute to that once-prominent jazz label and drummer

Art Blakey
drums1919 - 1990
Alex Budman
fluteb.1973
Barbara Laronga
trumpet
Michael Brecker
saxophone, tenor1949 - 2007
Glen Berger
woodwindsBruce Lett
bass
Ryan Dragon
trombone
Ahmad Jamal
piano1930 - 2023

Tom Luer
clarinet, bassStan Martin
trumpet"Nimble Digits," aptly described by Stradling as the album's "traditional flag-waver" (at 280 beats per minute), severely tests soloists Scott Whitfield (trombone),

Kye Palmer
trumpetAdam Alesi
drums
Miles Davis
trumpet1926 - 1991

Gil Evans
composer / conductor1912 - 1988
Tim McKay
saxophone, baritoneSwing returns with a vengeance on "Don't Shoot the Messenger," a spirited tribute to pianist

Cedar Walton
piano1934 - 2013

Francisco Torres
tromboneKirsten Edkins
saxophone, tenor
Jeff Driskill
saxophone, tenorDan Kaneyuki
saxophone, alto"Wrap Party" is next, its swing/funk groove underlined by the band and balanced by

Aaron Janik
trumpetErik Hughes
tromboneJavier Gonzalez
trumpet
Joey De Leon
congasThere are times when the description of an album is destined to fall short, as mere words are insufficient to accomplish the task. This is one of those times. To state that Nimble Digits is far and away the most impressive big-band album of the year is a good start but hardly enough; the proof is in the listening, which is why that is explicitly endorsed. ">
Track Listing
Blue Note; Brecker Sketch (in memoriam Michael Brecker); Poinciana; Nimble Digits; Baton Noir; Here in Spirit; Don’t Shoot the Messenger; Igua?u; Wrap Party; Habanero.
Personnel
Geoff Stradling
pianoAlex Budman
flutePhil Feather
saxophoneKirsten Edkins
saxophone, tenorTim McKay
saxophone, baritoneJavier Gonzalez
trumpetKye Palmer
trumpetBarbara Laronga
trumpetAdam Alesi
drumsAdditional Instrumentation
Jeff Driskill: woodwinds; Dan Kaneyuki: tenor sax; Tom Luer: flute, alto sax; Glen Berger: tenor sax; Matt Fronke: trumpet, flugelhorn; Stan Martin: trumpet, flugelhorn; Rob Schaer: trumpet; Aaron Janik: trumpet; Dave Richards: trombone; Erm Navarro: trombone; Lori Stuntz: trombone; Juliane Gralle: bass trombone; Ryan Dragon: trombone; Erik Hughes: trombone; Francisco Torres: trombone; Scott Whitfield: trombone; Bruce Lett: acoustic & electric basses; Cooper Appelt: electric bass; Ross Schodek: electric bass; Kristin Olson: percussion; Michael Spiro: percussion; Joey De Leon: percussion; Nate Werth: bata.
Album information
Title: Nimble Digits | Year Released: 2024 | Record Label: Origin Records
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